Cumulus Media is preparing to move two of its Boise ID brands in January 2022. Sports “93.1 The Ticket” 1350 KTIK Nampa/93.1 KTIK-FM New Plymouth has begun promoting on-air that it will move off the Class C FM signal to the recently launched 95.3 K237HA Nampa translator on Monday, January 3. The 99w/816m signal will cover […] […]
iHeartMedia Greensboro has announced the appointment of Sarah Quinn as cluster Marketing Director and midday host on CHR “Hits 100.3” WMKS High Point. Quinn most recently served as midday host at Alpha Media Hot AC “Mix 94.1” WHBC-FM Canton OH and Marketing/Promotions Director. She has also been heard in college at Kent State University’s 89.7 […] […]
When Duluth-Superior Area Educational Television Corporation closes on its $175,000 acquisition of AAA 103.3 KUMD-FM Duluth MN from University of Minnesota-Duluth, a new brand and call letters will debut.
Plus potential changes in Clovis NM and Pittsburg KS. […]
Buffalo-Toronto Public Media has launched AAA “The Bridge” on 88.7 WBFO-HD2 Buffalo. Positioning as “College Radio For Adults”, the station describes itself as From the fringes of mainstream pop to progressive artists around the world, WBFO The Bridge is home to the groundbreaking, alternative and occasionally idiosyncratic music of today alongside beloved classics. Hear: Nirvana, […] […]
iHeartMedia has dropped its 24/7 “iHeart Podcasts” programming from one of the three stations that had been carrying it. 1350 KABQ Albuquerque has begun stunting as “Santa 1350” with Christmas music, portending a post-Christmas flip for the station. In past years iHeartMedia programmed seasonal Christmas music on the since divested 104.7 KABQ-FM Bosque Farms/Albuquerque. KABQ […] […]
Tom Tagney will retire as co-host of Bonneville News/Talk 97.3 KIRO-FM Tacoma/Seattle’s “Tom & Curley Show” on Wednesday, December 1. Tagney has been with KIRO since 1994, first serving as a reporter and later movie critic and Managing Editor. He was paired with John Curley in 2014 to host 9am-12pm. The duo moved to the […] […]
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