UK

Cambridge 105 Radio returns to the Cambridge Folk Festival

Cambridge 105 Radio is returning to the Cambridge Folk Festival and will be backstage at Cherry Hinton Hall.

The station will be broadcasting over 20 hours of programmes, with intimate performances and exclusive artist interviews.
Listeners can also hear live sets from the Emerging Talent Stage, The Den.
Future hitmakers Jake Bugg and Passenger first played The Den before headlining Stage 1 and over recent years Christian Raphael Prize winners Angeline Morrison and Katherine Priddy have followed suit.
There will also be a nightly video round-up available on the Cambridge 105 Radio YouTube channel.
The coverage will be presented by Steffi Callister, Julian Clover, Alex Elbro, Lucy Milazzo, Linda Ness and Les Ray. Veteran musician and journalist Ian A. Anderson will be on hand with daily previews of the Festival Line-Up.
Julian Clover, Editorial Lead, Cambridge 105 Radio said: “This is our largest outside broadcast of the year and we’re thrilled to be able to bring all of the atmosphere of the Festival from our intimate backstage area. Whether you’re at home or listening on site with the Radioplayer this is the Cambridge music event no one should miss.” […]

UK

Revised revenue forecast predicts 5.5% growth for radio in 2024

The latest AA/WARC expenditure report released today highlights positive revenue momentum for commercial radio.

It shows updated forecasts for 2024 now predicting an increase of 5.5% year-on-year, an upgrade of 3.2 percentage points since April’s forecast.
In line with Radiocentre’s own data, AA/WARC’s recorded media revenues for the first quarter of 2024 reveal that radio revenue rose by 7% compared to the same period last year.
Additionally, for 2025 the report reveals how radio is forecast also to surpass the previous revenue growth prediction by 2.1 percentage points – the highest upward revision of all display media – resulting in expected year-on-year growth of 3.7% for next year.
Commenting on the latest figures, Radiocentre’s CEO Matt Payton said: “We’re pleased to see such optimism for radio revenue following a positive start to 2024.
These upgraded forecasts reflect the record audiences posted by commercial radio in Q1 and are a clear indication of the potential for sustained growth in the years ahead. This is good news for broadcasters and advertisers alike.”
See the full AA/WARC release here. […]

UK

Spotify Ad Studio rebrands as Spotify Ads Manager

Spotify Ad Studio has rebranded as Spotify Ads Manager with enhanced advertising capabilities to advertisers of all types and sizes.
The update will offer more tools and ad formats to better reach their target audiences on Spotify and track results.
It comes as Spotify announces 13% YOY ads revenue growth in its Q2 Earnings Report.
Spotify Ads Manager now includes a new redesign, advanced targeting capabilities, new ad formats and opt-in video.
A new feature called Audience Manager will soon be launched, creating a dedicated home for advertisers to manage their saved audiences.
Sam Bevan, Spotify’s Global Head of Emerging & Scaled Advertising, said: “At Spotify, we’re constantly innovating to provide a top-tier advertising experience that helps advertisers achieve their business goals. I’m thrilled to share that our newly redesigned Spotify Ads Manager brings enhanced ease, control, and performance, making it easier than ever for advertisers of all sizes to get started with Spotify Advertising and connect with our highly engaged audience of 626 million.” […]

UK

Zoe Ball named as highest paid radio presenter at the BBC on £4,750 per show

BBC Radio 2 breakfast show presenter Zoe Ball has been revealed as the highest earning radio presenter employed by the BBC, earning £4,750 per show.
The corporation has revealed its own rich list, which sees Gary Lineker take the top spot being paid £1.35m, followed by Zoe Ball at up to £954,999 per year.
BBC Radio 1 presenter Greg James is 4th, earning up to £419,000 annually, or £1,886.00 per show.
Elsewhere in the top 10, Stephen Nolan is 6th on up to £409,999 (for TV and radio) whilst Lauren Laverne is in 7th place earning up to £399,999.
Vernon Kay gets paid up to £324,999, Scott Mills and Sara Cox are both on up to £319,999, and Jeremy Vine is on up to £289,000 for the lunchtime phone-in.
The late Steve Wright was being paid around an average of £2,700 per show for Sunday Love Songs and Pick of the Pops.
Some radio presenters’ salaries will not be made public if they are paid through production companies.

All the details were published in the BBC’s annual report, and you can see a table of BBC journalists pay over on Press Gazette.
The report also shows how much each radio station is costing each year, along with the audience it attracts. […]

UK

 2024 has delivered a fresh start – and some familiar challenges

Matt Payton, CEO, Radiocentre, writes about how 2024 has delivered a fresh start – and some familiar challenges for radio.
As we enter the second half of the year, it feels like the perfect time to review industry progress across the first half of 2024 and preview what the remainder of the year has in store for commercial radio.
Of course, this year the world of politics and business has been dominated by the general election and the changes in government and in parliament. This has added to a sense of new beginnings, even if many of the issues are familiar. 
One thing that was clear from the election, as well as the result, was that radio and podcasts played a bigger role than ever in providing trusted coverage and analysis. The value of this was brought to life in our latest research that highlighted the way audiences of all kinds rely on commercial radio to stay informed.
For the radio and audio sector, it was a relief to see the Media Act pass through parliament just before the election. Thanks to strong cross-party and industry support it was able to complete its final stages at the end of May. As a result, access and availability of UK radio on voice assistants will be secured, while outdated format regulation is swept away. This will help deliver growth and innovation, along with real benefits for listeners. The fact that the new government supported this legislation while in opposition also gives us confidence that its implementation should be a relatively smooth process. 
Another familiar issue this year has been the role, remit and funding of the BBC. In the commercial sector we know that competition with the BBC is a fact of life. However, the significant funding the BBC receives comes with obligations for its services to be distinct and a responsibility to compete fairly. 
Using the might of the BBC to launch new radio services that seek to imitate commercial radio, while at the same time reducing investment in distinctive BBC Local Radio, seems at odds with its public service ethos. We have made sure the BBC and Ofcom, as the independent regulator, are aware of our concerns. There is still a long way to go, but we have welcomed Ofcom’s initial decision to at least block the launch of the Radio 2 extension on BBC Sounds and refer it to a full Public Interest Test. 
More broadly the new government will need to finalise its position on BBC funding in the next couple of years (before 2027). While it’s early days, the signals on this are encouraging with less talk of alternative funding models – such as advertising, which analysis suggests could damage both the BBC and commercial media – and more focus on stability. And as hundreds of new MPs get to grips with their new roles, we are also working on new research on the trusted nature of commercial radio news, to further demonstrate its public value role. 
In the months ahead, there are definite reasons for optimism. Audience figures for commercial radio remain incredibly strong, reaching a record 39.7 million people each week. Revenues are also up year-on-year and moving in the right direction, increasing by more than 5% in the first half of 2024. This bodes well for the rest of the year, as does the latest IPA Bellwether Report, highlighting the growth in available marketing spend for media. 
Interestingly, radio (in common with other media) is benefiting from increased revenue from advertisers and brands born online in recent years, many of which are much more focused on short-term businesses effects and performance.
This shift was part of the reason why Radiocentre conducted  the Performance Multiplier study, launched in May. This latest take on radio effectiveness highlights how the impact of radio ads is being underestimated by current performance attribution analysis, demonstrating the medium’s efficiency in driving short term web response (when correctly attributed) and the additional brand-building benefits that the medium delivers in parallel. The findings have been well-received and we have already started the process of building on this momentum by investing in analysis of additional campaigns to advance understanding of radio’s effects, which will be shared with advertisers.
We’ll have more updates on revenues and the work we are doing to drive greater investment in commercial radio later in the year, including at our Tuning In conference on 17th September. This year’s conference is already shaping up to be one of our best ever, with the Capital Breakfast Show team making their first appearance since the arrival of Jordan North.
You can sign up to the conference HERE. I look forward to seeing you there. […]

UK

Edinburgh station opens a new cafe and public facing studio in Leith

Edinburgh’s online community radio station EHFM has opened a new cafe complete with public-facing studio.

After six years of broadcasting from multi-arts venue Summerhall, EHFM will move their operations to a unit on Great Junction Street, previously Spilt Milk, under the new name Ground Floor.
Located above a complex of rehearsal spaces, recording studios and retailer Drum Central — the cafe will be operated by EHFM, with all the profits going towards funding the community radio station’s activities.
Ground Floor will also accommodate EHFM’s new custom-built, soundproofed studio which will host the station’s broadcasts and podcast recording facilities from Thursday 1st August. Situated inside the cafe, the new studio allows the public to watch the radio in action as they drink their coffee.
Ground Floor launches today for sit-in and takeaway. It will be open seven days a week, serving specialty coffee, pastries and an exclusive topped focaccia offering provided by local restaurant Alby’s.
EHFM will begin broadcasting from their new studio on Thursday 1st August.
EHFM co-founder and Director Jamie Pettinger says: “After six years of broadcasting from Summerhall, this feels like a new chapter for the station. We hope that the move will allow our listeners to engage with us more in the real world, and the cafe can provide a stable source of income in these financially uncertain times.
“We’re so excited to situate ourselves in the creative community of Leith, an area in which many of our presenters are already very active. It feels like such a natural move for us!” […]