ASIA

Broadcasting, Podcasting, Audio Equipment Trends at #NABShow 2025

Steve Ahern walks through the 2025 #NABShow to discover some of the equipment and programming trends at this year’s exhibition in Las Vegas.Some of the trends I’ve found here while walking around NAB 2025 are:
Cloud storage and cloud workflows are coming of age, there are more reliable high level services being offered from cloud providers and they are more secure. AI suppliers are paying attention to security and are building AI inside their tools and locking it to the client on-prem or in secure cloud services.
Equipment is moving more off-premises into the cloud, supported by cloud SaaS.
RCS has revealed a better ZETTA. They’ve had cloud services for a while with the Zetta Cloud and Selector Cloud products, but these were initially developed as emergency backups. Now RCS has perfected them to the point where, now they’ve expanded all your playout and integrated functions to a browser based product in the cloud. It even works in unstable internet connectivity environments.
Prominence in cars is just as important an issue here in America as it is in Australia and Europe.
Audience measurement – a very interesting trend. Radio ratings are shifting from 5 minute measurement chunks to shorter measurement – 3 minutes. This is in recognition that advertisers believe that online social and search services are more up to date because they can see minute by minute data. Never mind that this so called minute by minute data may create a false impression, it is still a negative perception for radio, so the industry is moving to fix that perception.
Voice cloning is coming of age and also, particularly in this market, people are thinking about the ownership of your voice and your image. Rights management for music in film has been a thing for a long time, but now it’s coming to radio and podcasting and the AI tools in some of the recording equipment are being set up to help us automate rights management via AI recognition of who was speaking and whose image is in the shot on air and in social media.
The cost of imported transmission and studio equipment imported to America may rise, but locally manufactured equipment will stray stable, resulting in the benefits that President Trump is promising… more purchasing of American made equipment.
Apple has got ahead of the tariff war by moving some of its iPhone manufacturing from China to India to avoid the huge tariffs that have been imposed as part of the tariff war between the two countries.
Transmission companies are offering maintenance and monitoring contracts when you buy the equipment as a direct response to having less broadcast technicians available with broadcasting expertise because a lot of people in the technical area of radio stations now come from the IT side. It is a very interesting solution to the problem of less trained broadcast technicians and a new service support product for transmitter manufacturers.
Also in transmitter developments is the idea of plug-and-play transmitters where everything is in the transmitter housing, including the exciters, encoders, compressors. This is now possible when the transmission process is all IP based so can all be integrated into one computer and control centre. Content comes via internet not STLs (backups still needed) and once it arrives at the TX site clients just plug in the blue cable and turn on the transmitter.
The media industry expects that President Trump’s tariffs are going to affect sales in areas like cars and retail, because prices may go up and cheaper products may not come into the country because they’ll have to pay higher tariffs. The businesses that sell those products may not have as much money to spend on advertising.  Fears of a recession are also increasing in America at the moment, which some analysts have predicted will mean consumers may cut back on subscription services such as music streaming and video services as they tighten their belts. This may lead them back to ad-supported entertainment media such as free to air radio and television.

Something I’ve been raving on about for years is the inconsistency of levels and monitoring over streaming. All outputs should be the same level and have similar processing. AM broadcast, DAB broadcast, the stream to your app, the stream to your website should sound the same, especially when cars and phones can dynamically switch between sources… and yet they’re often not. Companies are now introducing monitoring across all their streams and that allows broadcast Ops Centres to integrate program fail alarms and more active stream monitoring with their broadcast monitoring system.Another trend talked about here is that radio people are under-selling themselves. In radio we know digital, we’re dealing in digital on the digital platforms and yet advertisers, agencies and people who talk about radio forget that we’re digital. Radio people themselves don’t champion that point enough either.AI now will allow online advertisers to make multiple versions of ads tailored to very specific audiences. Radio creatives should be making more versions of radio ads. It’s something radio used to do and we’ve forgotten it, but AI is bring it back in focus. It’s one of the strengths of radio that can help radio take on this social media advertising trend.In a divided world, local radio is very strong here in America. Local stations are retaining their audiences and advertisers. Local radio owners have told me that is because they’re very anchored in the community. There’s political division in this country and in the world at the moment, but when people are sick of listening to the big competitive aggressive networks taking one side or the other, they return to their local radio stations to ground them in their local communities or to music stations to bring them entertainment and help them escape from the polarisation. […]

Ireland

Comedian and writer Fiona Frawley joins SPIN1038 for a fully charged breakfast

Fully Charged has a new co-host as Dublin-based comedian and writer Fiona Frawley joins SPIN1038.
The all new Fully Charged with Emma, Dave & Fiona will start on April 28th.
It was announced at Dave’s 30th birthday celebration last night, where Emma surprised everyone by officially welcoming Fiona to the team.
Dave Hammond exclaiming “Wait what? Who? I didn’t know about this!”
Speaking on her new role, Fiona said: “I couldn’t be more excited to be joining the SPIN team. It’s clear how passionate the guys [Emma & Dave] are about making the show the best it can be. Getting to be a part of that already feels so special and I can’t wait to help wake up Dublin every morning!”

Emma Nolan commenting on welcoming Fiona to the team “Fiona’s charisma, warmth and comedy is infectious. We knew upon meeting her that listeners across Dublin would love having her as another friend to laugh along with each morning on SPIN’s Fully Charged. I can’t wait for you to get to know her!”.
Nick Karkazis, Managing Editor of the SPIN Network, added: “Fiona is such a talent and she’s absolutely hilarious. When I heard the chemistry she brought into the SPIN studio with Emma & Dave, there was no question that she should be on the team. Really excited for everyone to hear how great this show will be!”

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ASIA

Audio books are here to stay: Siddhanta Pinto, OfSpin Media Friends at #RDE25

Radioinfo Asia spoke to Siddhanta Pinto, the founder of OfSpin Media Friends from Mumbai, India at Radiodays Europe 2025.Founded in 2004, OfSpin produced a wide range of radio content in its initial years.It has now evolved to an audio-only content creator that develops shows in a number of genres from drama to sport and everything in between, all of which is done in-house. It focuses particularly on audio books.

With its own dedicated audio suite, it has the advantage of efficiency and control over the entire creative process from idea to finished product.“We have three verticals. One is audio books – which is a huge incentive for me to attend this conference in Europe despite being from India. We also focus on podcasts and audio advertising, but in particular on audio books. There is a shift in the entire business model. The traditional model is the Audible model, where they spend on producing these audio books with partners like us, but then they keep that audio for life despite the rights resting back to publishers or authors. I’ve been trying to float a model which is more inclusive where we understand who owns the actual audio apart from the audio rights from day one and therefore, we can control it for the life of the product. And if we can share royalties with not only the author but also the voice artists and the producers,” Pinto told Radioinfo Asia.[embedded content]“It’s a big struggle because we are up against large players. It involves a lot of educating authors who are now smartening up to the audio space and keeping audio rights to themselves. Educating publishers, but they always have large business interests in mind with bulk deals, so its slow but I think we are moving in that direction. Audio books are here to stay,” he added. […]

ASIA

Top Tips for Podcasters and Youtube: John Wordock #NABShow

In the Podcasting session of this year’s NABShow, John Wordock  quoted the just released, Edison Research figures (March 2025) “showing 55% of the U.S. population consumes podcasts, 48% are audio and 7% are video.”Here are John’s top tips for podcasters:
Your podcast strategy starts with quality – Storytelling, Talent, Audience and Reward
Best practices for Apple and Spotify – Name of Show, Strong keywords in titles and descriptions, Colourful and clear cover artwork, Correct Metadata (eg. primary category), Multiple Podcasts, Create a channel on Apple.
Podcasting things to think about – Start a podcast for your radio show and include behind the scenes content; Have a mission statement  for your podcast and develop a launch plan; Start a local news podcast and update the feed several times daily; Team up with your local sports bar or brewery and host your podcast there; Create a public affairs podcast and cover government; Hold special live podcast events in your city.
John’s reasons for a having YouTube host your podcast:
YouTube is ruling the roost – One billion monthly podcast users; Top podcast platform; Generated buzz during 2024 election; Attracting top talent for shows.
Most often used podcast service – YouTube 33%, Spotify 26%, Apple 14%.
YouTube invades your living room – Viewers watched more than 400 million hours of podcasts on smart TVs in 2024 (YouTube, 2024).
Here are John’s suggestions for optimising YouTube:

Best practices for Youtube – Channel mission; Strong keywords in titles and description; Clear and eye-tempting thumbnails; Quality lighting and Mic; Acceptable camera (even iPhones); Heroes, How to, Headlines; Tap into the moment, Get recommended.
Build and promote your YouTube channel – Full shows, YouTube Shorts, Clips; Behind the scenes; Bonus content; Special interviews; Live events or breaking news.
YouTube things to think about – Start a YouTube channel for your radio station, TV station or podcasts; Publish special interviews that are too long for air (20-30 minutes); Create a sponsorable weekly feature (eg. First responder Friday); Create a public affairs show (eg. Ask the mayor); Hold special live events on your channel (eg. campaign debates); Live stream important daily shows or events.
“Polinate everywhere and make it easier for audiences to find your show”, John said.“The podcast consumer lives in a hybrid world so you need to play to both audio and video audiences.“Here are are some ways that video blazes revenue paths,” said John.

John’s tips for using AI tools:
Use AI tools – Time saving programs; Budget friendly tech; Research and writing tools; plus Promotion and Marketing.
AI tools to think about – Opus Clip (Video and social clip editing); Descript (Audio and video editing); VidiQ (titles, thumbnails, audience data); Headliner (Video, Audio, Clipping); Ausha (SEO and Keywords).
“The future trends to watchout for are podcast listening in cars, podcast viewing on smart Tvs, podcast live events and world domination by YouTube,” said John.In addition, Adobe has recently added a video conversion tool called Adobe Express. The tool is free and open-use, for creating and editing video content. It is available online here Adobe Express’ Online Video Converter. […]

ASIA

Secrets of podcast success #RDE25

Emma Lawson from ABC Australia says people are moving about between social platforms at the moment, so it is a time to re-evaluate your podcast social media strategies.In a RadioDays Europe session on podcasting, Lawson explained how the ABC has adopted a varied strategy where some podcasts are just audio while others are made with full video. Emma’s focus for this session was particularly on video.Different approaches work for different podcasts, they are:

Full episodes
Select clips for YouTube
Vertical Videos (shorts)
As an example of a full video podcast that uses multiple cameras and different camera angles, she gave the example of the Fashion Neurosis Podcast with Bella Freud. The stylised storytelling format has high production values but still seems intimate thanks to the lighting. The style suits the format of the podcast.Another example of a highly produced video podcast is the ABC’s If You’re Listening series with Paul Bevan.Lo-Fi video also works for some formats. Characteristics of that style include vertical orientation, quick edits, memes and sound effects to create dynamic content. The Hook Up is an example of this style. “We don’t know what the rules are and what they will be tomorrow on the social platforms.”Because the algorithms and tactics of social media companies are constantly changing, Emma recommends that someone in the organisation needs to be tasked to keep up with the constant changes. She drew attention to the creator search insights section on Tiktok, where podcasters can look for trends and then prepare promotions to align with the current trends. “If you are a business account you can look at creator insights for trending search terms to tag your content. That has changed everything, our posts are now getting good traction,” she said.In Australia, the Hamish and Andy podcast is consistently at or near the top of the podcast charts each month. Starting in community radio, then building a hugely successful profile on commercial radio and tv, Hamish and Andy have now moved into a weekly podcast format (LINK to podcast).Audio producer Chris Marsh shared some of the secrets to the success of the Hamish and Andy podcast as well as other Southern Cross Austereo LiSTNR podcasts that he works on.Quality over quantity is one of the key elements of success. Plan and prepare well, but also leave room for spontaneity. Pick a rhythm of podcast publishing that will allow you to deliver quality in each episode.Going the extra mile. Don’t stop with just a good idea, keep working until it is great.Look for shareability, create content that your fans will want to share.A great trailer for the show is essential.Conversions. Have genuine conversations with your team and your audience.Create a community of your listeners. Word of mouth is always highly effective. The show facilitates chats about the content of the show on Instagram and other socials. The show uses direct messages and voicemails to play back in the show for a 360 degree feedback loop.Think outside the box to meet the audience where they are.Cross Promotion on other podcasts, radio and SCA’s social accounts. For example, during key periods such as the football season, the show and its socials will promote sports podcasts and the sports podcasts and socials will return the favour and promote Hamish and Andy.“Good audio can win, you don’t necessarily need to put up full video podcasts,” said Chris.Rhian Roberts, who commissions Podcasts and Formats at BBC Speech Audio looked at strategies that generate more numbers for podcasts.Talkability is one of those factors. “The thing that does deliver the most listeners is talkability,” she said.If your socials are good they may generate talkability, but if not, the potential audience will stay on social media not move to a podcast platform to listen to your podcast.“If a personality increases their authentic profile on socials that may lead to more listening, but you need to know if the audience will really appreciate your socials. If the presenter is not convincing on socials, maybe they should not be using socials.”Another successful way of promoting your podcast is appearances on other similar podcasts.Leanne Allie from Artist Partnerships has seen how social media has directly impacted podcast consumption.“The first years of podcasting had plenty of podcasts that were discoverable, but now social media goes visual first, so there is more competition from short form social content. This keeps people on the social platforms, consuming the clip they see online, rather than going to the whole podcast,” she said.“Social media does convert to a certain extent, but you have to work harder now. Get your podcast seen on as many different social media platforms as possible, target the particular platform where your target audiences are.”
TikTok will help you find and build an audience from scratch.
For Instagram, tell a story with a clip or a still photo carousel.
“You can only go so far with organic reach on socials, you need to build your own audience base who are interested in the subject matter or the host, you may need to pay for promotion, for example pre-roll videos on Youtube.“Traditional press and outdoor does not convert to podcast listenership in my experience. Podcast listeners are more active online, so invest in paid social media everywhere online and make short form segments for socials to attract new audiences.”Katerina Bakogianni from Alter Ego Media agrees. “Cross promotion and word of mouth has worked for us. Social media also works, when we pay for ads there is a spike in listenership (a 30% increase as long as there is engaging content in the post). Just putting the tile up there does not convert people to listen.”“For brand promotion spend as much money on marketing as you spend on the production,” she advised. […]